One production company I had written to, said that I’d just missed a runner position, they’d recently taken someone on, so it would be 6 months before they needed a new runner. Ever one to seize an opportunity from someone who had engaged with me, I asked if I could pop in for a chat anyway so they at least knew who I was, for any future vacancies. I knew full well I didn’t plan to hang around for 6 months to wait for their vacancy, but I figured nothing ventured, nothing gained. So, I went in, had a nice meeting, and thought nothing of it. There wasn’t an opportunity there but at least she knew who I was and that I was available.
A couple of days later the phone rang at home. It was a Producer on the phone wanting to speak to me. He’d been given my number by his friend, the lady I’d met at the production company. He said she’d been impressed with me, and when he told her he was crewing up for his latest film she’d recommended that he speak to me.
I said I’d be delighted to meet him and discuss the opportunity. I remember going to the production company’s office for the first time. It was in a basement in Manchester Square, Central London. It was a bustling, noisy cramped office, with lots of people talking, making calls, sending faxes and piles of paperwork. I loved the vibe instantly. It seemed like such an exciting place to work. I wanted in!
The interview with the producer went well and I was delighted to be offered the role as a Production Assistant on his film, The Mystery of Edwin Drood. Now, I had a role on my first production, I felt my career was off and running.
I quickly understood the power of networks in the film and TV industry.